After seeing Chang'an twelve o'clock, do you understand how the women of the Tang Dynasty love makeup?
Conjecture about the makeup of the Astana Mu Nuwa in the Tang Dynasty Nowadays《长安十二时辰》can be said to be a hot drama nowadays, and the heat of《花木兰》is not low. If the two are put together, the spark of erasure must be still a lot. Many praises Changan's makeup. Restore ancient paintings, beautifully shaped, and even some articles will say hang《花木兰》shape, is it really like this? Let’s first take a look at some of Chang’an’s stills. Stills Gao Wei (Xu Yuhuan Yang Yuhuan) 鬟发 (曲珊珊饰许鹤子) As early as the Warring States period, Chinese women began to smash the powder, raw materials such as rice flour, lead powder, pearl powder, stone powder and so on. In the Tang Dynasty, the national strength was prosperous, and women's makeup was also more diverse, such as white makeup based on lead powder, red makeup based on rouge, and peach makeup, Feixia makeup, wine makeup, makeup, and tear makeup. Ancient women also attach great importance to the modification of the eyebrow shape, while the material of the thrush is "stone scorpion". In the Tang Dynasty, the thrush had formed a fashion. In the Tang Dynasty, there were many styles of eyebrows, such as Liu Yemei, Yuemei, Broad Eyebrow, and Eight Character Brow. During this period of time, because of these two dramas, the so-called ancient style makeup is on fire. It can even be said that it is a big fire. In particular, the service roads in Chang'an are all Amway, so is the makeup of the Tang Dynasty really like this? Why is this so? This time we will be our cultural relics: Astana's tomb, let's see what the Tang Dynasty makeup looks like. Why did the eyebrows of the Tang Dynasty paint this way? Astana tomb niece restores the shape Makeup close-up The batch of painted clay figurines unearthed from the Tomb of Astana in Xinjiang is very famous now. Even on《国家宝藏》, it was taken out as the treasure of the Xinjiang Museum. Everyone knows the difficulty of makeup research. Usually, I look at the two-dimensional figures of ancient paintings and tomb murals, and Astana’s son-in-law is very well preserved, the makeup is clearly visible, and it is in a three-dimensional three-dimensional angle, which is very rare, so As long as you go online to search for Tang Dynasty makeup, she will definitely appear.xx 我曾尝试过两次这种风格。我第一次画自己，我没有跟随她的样子。参考文献很重。我第二次画模特并试图恢复她的外表。 首先恢复化妆 （第一次，眉毛和唇妆会更加细致，但整体不是很相似） 我们来看看这个芙蓉的化妆特征： 这个女婿的样子具有非常典型的唐代特征，而面，花，红的过程并没有下降。从她脸上的红色可以看出，红色的颜色已经被唐代的不同色调所区分。它也可能具有与现在相同的红色和深红色数字。这个芙蓉的脸很窄而且很长，所以腮红被打在脸颊下，目的是缩短脸部长度，但因为模特的脸很短，所以这次我略微改变了脸红。位置，向上移动，从眼睛到下一个过渡，它将更加迷人。花萼和眉毛非常接近，它们集中在脸的上三分之一处。浓度非常强，将被吸引到最后。目的是缩短面部的长度，使前额更窄。眉毛是从中间到两侧传播的风格。当我看着这条眉毛时，我感觉不到美丽。但由于眉毛非常接近，它具有相当的艺术特征。当我在真实面孔上尝试时，我不敢画得太多。集中注意力，为什么会出现这样的浪潮？这是从一位西方女画家开始的。这种眉毛让我想起了一个人，就是墨西哥画家Frida Caro。她的标准妆容必须是眉毛，但她实际上并没有这样的连体现实。当她是艺术家时，她会像这个女婿一样画画。让我们看看比较图表并知道： 弗里达自己的照片 弗里达的自画像 这很容易理解，因此浓缩的眉毛在艺术中可能更加夸张，并且可能不会如此集中在真实的脸上。不要感叹艺术的表达真的是通过时空。 接下来，让我们来谈谈脸部装饰，花脸上的脸部装饰和倾斜的红色都是完整的，这一定是一个非常隆重的妆容，你想如果你今天要拍照，是不是假睫毛或者达美没有堕落，这是意思。据估计，化妆越丰富，越谨慎和尊重。用敦煌的壁画来解释这种理解也是非常合理的。敦煌的支持者的化妆和发饰比我们在日常绘画中出现的更丰富。甚至可能会有一个装满花朵的“碎片化妆”。还制作了破妆的恢复图，你可以看下面的对比图： 减少敦煌的支持者的化妆 因此，如果你看到一个朋友来看你，你后来画了一个大妆，也许这意味着她尊重你的约会。 现在你明白为什么唐代女孩想要化妆了？你知道你接受这个猜测吗？